rules.

001   do not follow if you are below the age of twenty-one, don't have your ooc age listed on your account, or have heavy nfsw retweets. homophobia, sexism, racism, and zionism will not be tolerated.002   charlotte is an original character. please do not replicate the work i have put into her. i'm happy to work with characters within a similar world but i will not tolerate exact duplicates of her personality and background.003   genuine connections are valued. inactive or non-interactive accounts will occasionally be softblocked. there are no hard feelings. feel free to refollow if you'd like to build a friendship.004   third person para is preferred, but i will mirror literacy and length if needed. if you'd like to plot or establish connections, please dm with brackets.005   twenty-six ooc, she/her, full-time worker. muse does not equal mun. sporadic replies, please be understanding of this. if ooc matters need to be discussed, please use brackets. i will do the same when speaking as admin.

profile.

Stage Name   charlotte song.
Birth Name   song shin-ae.
Birthday   991010.
Pronouns   she/her.
Orientation   bisexual.
Status   Non-dating, not actively looking.
Birthplace   Jeonju, S. Korea.
Family   song sun-hee (mother), song eun-seok (father).
Residence   new york city and los angeles.
Occupation   actress; known for period dramas and horror.
MBTI   INFJ, the advocate.
Enneagram   4w5, the romantic individualist.Likes   the curl of smoke in the air, silk bedsheets, marking up new scripts, city lights reflected in puddles, the flush of a lover's cheek, honey butter chips, appa, fame.Dislikes   almonds, sherpa, boring interviews, her voice, eomma, the incessant flash of cameras, loud crowds, fame.Style   a mix of loungewear and romantic silhouettes crafted from silk and lace when off set.
Hair   naturally blonde as far as she's concerned, wears wigs while filming to maintain her color.
Piercings   one on each lobe, helix on left side.
Scent   Diptyque's Orpheon.
Faceclaim   park chaeyoung (rosé).

background.

charlotte's parents arrive to new york with little to their names — two immigrants clutching to a future that they hoped would be kinder than their cult-ridden past. a newly pregnant wife fuels the fire within eun-seok, who works until his hands ache and the nights blur together. left lonely, sun-hee pours her hopes and dreams into her swelling belly, whispering tales of the stars that danced across the dingy box television that came with the apartment.the glamour of hollywood consumes her eomma in a way only devotion can; scripts became scripture and actresses become idols. it’s during these lonely nights that sun-hee conjures a vision for her daughter, a career that will rival the likes of shirley temple and judy garland. if she can not have her shining american dream, her daughter would. charlotte is meant for more.while sun-hee reaches for the stars, eun-seok keeps her tethered. throughout childhood, he speaks to her in korean, hoping that language can anchor their heritage. he tells her about korea as if it’s a wound he still presses on to make sure it’s real. the cult is never mentioned; the fear never shared. what he does instead is give her a name: shin-ae. it was a name he kept safe on the way to america, that felt more sacred than the name his wife found while flipping through vanity fair.when he passes, everything changes. seventeen and not yet ready to be on her own, she is sent away.after sixty-four hours of travel on a bus that makes her feel ill, she’s welcomed by the blistering heat of los angeles and a man named paul that smiles too widely to be trusted. his girls are all the same - young, hopeful, and raised by mothers living vicariously through their daughters. the auditions he sends her to consist of shady studios and casting directors overly critical of a body that has not yet grown into a woman’s. every rejection carves away at her and every callback dangles enough hope to keep her in place.she is twenty-one when the tide starts to turn. ousted by paul for being too old, she sets off on her own. casting call after casting call chips away at her until an indie director takes a chance. the film is small, barely funded, but the role mirrors her own life; a girl losing herself in hopes of becoming someone else. charlotte brings something raw and real, playing with an intensity that goes far beyond the perfection her mother instills in her. she isn’t required to be shirley temple or judy garland, because the director only wants charlotte song.when the film premieres at a small indie festival, critics speak not of the script nor the cinematography, but of charlotte's name - in hushed whispers, like secrets with the intention of keeping her all to themselves. secrets have a way of being spread, though, and before everyone knows it, charlotte becomes the star her mother dreams of.the first time sun-hee watches her daughter, she is twenty-four and no longer the frail girl she sent off like a sacrificial lamb. the sight of her - on a dimly lit television in the very same small apartment she was raised in - makes her mother cry. while it isn’t everything sun-hee envisioned, it is closer than she herself will ever be.

connections.

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